nice price deal !!! cool split ep , ranges from dirty house (filthy rich )to modern electrohouse madness (dirty freaks) ... stompin tunes

nice price deal !!! beaumont steps up for the next release on hotflush, with his >never love me ep<. the young scottish producer michael rintoul created a slice of hypnotic r&b dream pop on last years >blush reponse ep<. it was described by inimitable brighton-based blog 20jazzfunkgreats as having produced, >by a strike of genius and inspiration<, the authentic soundtrack to >a really cool z-series 80s thriller<. this time round, the vocal work on the title track is reduced to a barely intelligible processed warble, which provides the scaffolding that supports the sparse drums, synth washes and plucked melody. >uptown< begins with carpenter-esque keys of dread, but is quickly drenched in a warm shower of shimmering keys that tussles with the shuffling half-beat. the >rendez-vouz< could be on mars, cosmic winds billowing, until a snaking bassline throbs into sight, beaumonts impeccably programmed drums playing off against the tense synths. star crossd lovers indeed upon the eps closer, >verona beach<, the tidal back and forth grounding, the sound of the sun setting on a miami vice beach, but disturbed into syncopated sense.

meeka kates has been steadily making a name for himself in the online world in the last couple of years and since joining kraak & smaak s boogie angst imprint. his debut wildfire ep introduced his cool and soulful blend of indie electronica and he continues to build his sound further with another ep – fault line. his trademark slick soul melodies and personal lyricism are still present on this collection but this outing is a more lounge and chillout focused affair which absolutely suits meeka s understated mellow style down to the ground. remixes on the package come from ambassadeurs & les loups.

daisuke kondo from okayama, japan, releases a 12inch vinyl rongorongo. dynamic rhythm and dubby multi-layered house groove are equipped in side a 1 o-n-ra. side a 2 turn is a dance track that has tribal rhythm and cosmic scale. on the side b, two cool similar versions remixed by a young genius keita sano, which feel raw, are recorded. he is from okayama as well, and has released his works from various labels around the world, such as mister saturday night or crue-l, now attracting a lot of attention. the low sound that sounds like it is boosting speakers feels comfortable. this is a special single produced by two youngsters from the same town.

nice price deal !!! cool scratchy electro house groover with a cool vocodered vocal sample this will take the floors by storm

nice price deal !!! this super cool white label has been floating around over the summer and now finally gets released. it features two booty style remakes of the classic . these two mixes have brought the original bang up to date with high end production and a house rhythm that is very,very infectious

nice price deal !!! questian getting a cool april remix that includes a massive rock guitar breakdown flip over for the stripped down electro flavoured movida

nice price deal !!! cool phunky minimal techhouse / techno... fresh like a summer morning breathe

nice price deal !!! cool freaky sounding , electro infused tech tracks

jarle bråthen from ytre rymden dansskola with yet another hot outing on yours truly, full pupp. deep relaxed grooving, “norway cool” disco /house with a fantatsic relaxed pianohook contered by finelky crafted string twirls (flott vaer) and huge motoric bass (warm warmer disco). tempting and tentalising modern bliss! remixes by magnus international and thomas & you bet they are no less bad. at all.

something special: frenchman sebastien bouchet is launching his brand-new sebastopol project. new name, same deliciously deviant electronica: his debut is compiled with serious detail and a cool coherency of humanised textures, trippiness and barbed, shadowy soul.

nice price deal !!! a key milestone in the labels discography. the ep begins with a cool drifting taste of modulated pads, rhythmic guitar and simple drum work. highlighting a bit more of a funky disco groove, atlantis is a liquid soul jam for the ages. the beat picks up with count down to zero, as an uber progressive hypnotic loop track gets lost in the smooth key stabs. the tribal vibe picks up with dont look down, adding some more percussion, slow attack synth chords and crazy rhodes melodies. gabriel slows things down to a lazy dubbed-out house cut full of succulent strings, charismatic claps and middle-eastern harmonies. great for the late-night club slot or an introspective headphone listen, this solid ep is a sure fire success!

nice price deal !!! cool electrofied tech tunes to the simple minds classic !! incl remix by serge santiago

nice price deal !!! cool deep minimal - hypnotic - groovy remixes by jens zimmermann &/ byron bogues

nice price deal !!! fergie has taken his excentric music label from strength to stength over the last 2 years with its consistent output and this new sublabel - rekluse is an outlet designed for the outpit of other artists other than himself. here pyschatron step up to the plate with a 3 tracker of massive proportions. the 3 tracks are varied in style with the a side track - take five being a club hammer and the other 2 tracks - rave juice and trouble in paradise making up the package superbly well. another cool record from the fergie stable

quietly building an enthusiastic following with a steady stream of eps and singles, m.o.o.n.’s debut full-length “clinically blasé” creatively navigates a wide range of emotive synthesizer music deviating from dancegeared tropes in favor of freer arrangements and lush instrumentation. while the rhythms are rooted in variants of house, boogie, and synth-pop clinically blase never tips it’s hand stylistically in any particular direction resulting in a playful balance of retro sounds and futuristic ideas highlighting a deft melodic sensibility.

howl have unlocked some of the best 100hz unreleased house classics and has delightedly us with 4 stunning retro tracks. real house anthem mixed with pure analogue wickedness, elegantly rolling with a solid funk groove that stinks of cool and some seriously big drops

proto-house classic nightgruv gets a re-release and includes a longer unreleased edit! not only is this release offering a remastered version of the original, it also includes an unreleased edit which stretches the original to a cool 6 minutes. the b-side features the epic 11 minute original version of i want your love , a soul classic. 2017 repress

the debut album from boney m., originally released in 1976, back on vinyl with high resolution mastering from the original source.

2007 masterpiece from berlins uprising rockers!! re:issue

180g audiophiles vinyl gatefold sleeve mit aufw¤ndiger lackierung pvc-schutzh?lle remasterte + erweiterte edition feat. marvin gaye & paul carrack erstmals auf vinyl limitierte erstpressung von 1.000 nummerierten lps auf weissem vinyl.
urspr?nglich im m¤rz 2007 verüffentlicht, erlangte -sex n jazz- mit marvin gaye, paul carrack und erik truffaz direkt viel aufmerksamkeit und wurde f?r die holl¤ndische groove-jazzband gare du nord ?ber nacht zum erfolg. tracks wie -marvin & miles-, -you re my medicine- und -beautiful day- wurden direkt zu klassikern und üffneten die pforten f?r eine neue welee von jazz-pop-wave in den niederlanden. die qualit¤t des albums fiel auch dem jazzlabel blue note auf und 2009 kam eine remix-version des albums in die plattenregale. das blaue label katapultierte -sex n jazz- in den platinhimmel. die vorliegende aufw¤ndige auflage kombiniert nun erstmals das blue note remix-album mit den original-masters von 2007. das technisch aufw¤ndige remaster klingt so knackig wie nie zuvor. das muss die ultimative fan-erfahrung sein, um das zehnj¤hrige jubil¤um dieses wegweisenden klub-soul-meisterwerks und seines vorg¤ngers zu feiern. das album ist nun erstmals auf vinyl erh¤ltlich und die erste auflage von 1000 exemplaren wurde auf limitiertem, handnummeriertem wei?em vinyl gepresst.

subb-an and adam shelton may be plenty busy with their own endeavours, but they still know how to bring it home to roost on their own one records. this time around they ve both turned to the same vocalist, isis salam, to deliver some insistent instruction atop their lean and mean productions. subb-an s -self control- is a cool and deadly workout that places the emphasis on the bass and places salam s classic speech at the front of the mix. shelton gets into a more jacking frame of mind on -only now-, whipping up a raw chicago flavour to devastating effect.

distinctive tenor singer linval thompson honed his singing craft in his formative years, growing in the west kingston ghetto of three mile, where he was associated with dennis brown, johnnie clarke and al campbell. a subsequent move to new york brought him into expatriate act hugh hendricks and the buccaneers, with his debut recording, ‘no other woman,’ being made circa early 1974 at patrick alley’s art craft studio. a series of other singles followed from his new york sojourn, but the return to jamaica in 1974 led to more noteworthy singles for stamma hobson, phil pratt and lee ‘scratch’ perry, with ‘jah jah redder than red’ and ‘girl you’ve got to run,’ both cut at the black ark for pratt, being the most successful. yet, it was all but a prelude to the breakthrough success he would finally achieve upon teaming up with bunny lee for ‘don’t cut off your dreadlocks,’ one of the most popular releases of 1975, a debut album of the same name, issued by third world in 1976, contained some of his most outstanding material, including the devotional ‘jah jah the conqueror’ and ‘long long dreadlocks,’ the romance thriller ‘black princess lady’ and the anti-rude boy opus, ‘cool down your temper.’

la peña shots- is the brand new 10- sub label of well known la peña records. founded by einzelkind in 2008 the label has been a regular in record cases all around the globe. with it s quirky style and fun focused attitude it gained many followers within the last 8 years. einzelkind now runs the label with charlotte t. to take it even further and inject some well deserved feminine power. viva la peña ! -shot- - a small drink - a photograph taken of a particular subject - the firing or discharge of a weapon, such as a gun. - an opportunity - a detonation of an explosive charge. for the first release we invited bolumar & moises for two (insert cool word here) cuts. cheers !

actually 2 albums in 1 - which means 4 180 gram vinyl: >speakerboxxx< presented by antwan big boi patton and >the love below< presented by andre 3000 benjamin which makes one heavy outkast double-album!

schmer-007 smoking is still bad for you volume 1 is here and contains old school and new cool tracks from all the original schmer culprits plus some loops from our new friends. dietrich schoenemann and prototype 909 dug their tracks out of their vast archives of unreleased originals. dj rx-5 and bpmf delivered some hot new schmers to get us moving again. for the last 20 years we’ve all been tormented by the great issues facing mankind and most vexing among them of course was when will the next schmer record finally come out? i am happy to say that the answer, my record distributing friend, is now! prototype 909 demands that you ( redacted ) the volume! a track recorded in 1997 and finally getting released for the first time here. prototype 909 was a group from new york that made techno in the 90s. since then, the three members of this group all went on to do things. #truefacts dietrich schoenemann has been so busy being one of the last men cutting all the records in the world that he hasnt had time to organize his catalog of unreleased gems. i distracted him with the old look over there trick and stole 8 feet from him while he wasn t looking. (hopefully he didn t recognize it while he was mastering it) the last schmer vinyl was dj rx-5 a taste for crap ep from the then moscow based very underground dj compass vrubell. nina kraviz thought it was so crappy she put a track from it on fabric 91: nina kraviz, so i asked alexey to make some more crap. he did it his shway and this is the result. ( ps he still has all the patterns for the rx-5 from the original release so remaster, remixes and rereleases are in schmer s future, huzzah!) bpmf the original schmer artist had nothing better to do so he kommt back and gave us this track. we love to torture the engineer so we just had to include some loops: rhizome is the alter-ego of moscow wunderkind nikita zabelin. philly based hero/victim has been victimizing soundsystems up and down the east coast with his mad live performances. the wise caucasian is a pseudonym for some super famous london based producer and label owner, or at least thats what he claimed when i picked up his bar tab.

the greek beat-head massive is represented once again on the cold busted label with beatbop street. it’s an album from the cool new project andyfellaz, a collaboration of athens-based producer billa qause (beatquick) and percussionist nikos martziokas (wolfy funk).

summer reggae longplay

dj spun - one of nycs most acclaimed dj, rong music & promo only label owner, promoter extraordinaire - makes his debut on stilove4music. it is just dope shit for the kids. ltd 2017 repress

a bastion of magnetic style and mixing board finesse, honey dijon continues to exceed her bounds, pushing through from the underground of new york to become a cultural, global star. her classic follow-up to houze with seven david jnr, the provocative personal slave is unapologetic, hedonist and achingly cool. honey has teamed up with charles duff aka charles mccloud, who lends his seductively sulky tones for the vocal on the record. murky and mechanical, cowbell dinks and a percussive breakdown lift the mood, keeping the tracks feet firmly in the house bracket. consistently, honey’s productions piece together her familiar chicago jack with a contemporary new york edge. this track goes further in exploring that hybrid style, delivered with honeys signature lushness. a strong force in the us techno scene under his matrixxman moniker, charles duff appears again for remix duties on the dungeon dub, which as the name suggests is profoundly dark and moody, resonating highly with his regular slots at berghain. the drum machine mix hones in on the percussive work, playing with a visceral, hypnotic vibe that is so potent its almost dangerous. if this release is any indication of honeys intentions for this year, 2017 will see honey continue her ascension as a music icon.

lessismore record label, founded in 2003 by the dutch dj and producer alexis tyrel together with mbc, has been home for mostly his own releases under all his monikers and various artist compilations. “return to planet alpha” continues in this tradition, being a second long-player of alexis tyrel after his debut “newtradition” from 2011.
“return to planet alpha” is a collection of elegant techno tracks which instead of following the now so popular dark and destructive path focuses on daily moods and airy atmosphere, which is closer to open air and lounge than to sweaty pits of contemporary rave. but that doesn’t mean that the twelve tracks are just indistinctive background music. for one thing, tyrel is a master of slick and tight beat foundations of kick drums and bass, often smoothed out with cool synth pads, onto which he layers all kinds of rhythmical chains, subtle melodic ideas and sounds ranging from vintage synths and industrial bits to organic textures and even field recordings.

beranek’s debut album, “sound of danger”, was released on mind expanding records in november 1981. nowhere near as accessible as the previous single, the album fared poorly commercially. withdrawing from the single’s fun, kitsch pop, the album is cool and static, driven by thin rhythm boxes, cold synths, and glacial guitars. taking heavy cues from david bowie, all of the songs are sung in a nasally english accent, a rare occurrence in norway at the time. the lyrics are melancholic, but tinged with paranoia. there are also upbeat tracks that evoke a prog or glam sensibility a la king crimson, alan parsons, or roxy music. all songs have been remastered for vinyl by george horn at fantasy studios in berkeley. housed in the original jacket featuring red, black, and white lines that evoke a visualized richter scale designed by monica moltzau. each copy includes a 2-sided 8x11” insert with lyrics and an autographed press photo of beranek.

channeling a love affair with classic 90 s hip hop, an affinity for otherworldly themes and an ear for raw funk, barclay crenshaw uses his given birth name to bare his soul and deliver a slowed-down, emotive collectiob of collaborations and instrumentals. this self-titled debut album is a left-field deperature from his better known allias, claude von stroke, but the quality is undeniably the same. the themes of alien abductions and exploring of time and space are discovered and brough to life over ten tracks that sound like a mixture of gold rope chains and new age enlightenment. modern organic beats mixed with gorgeous melodic movements and underlying grittiness create an experience that is eclectic, expressive, and expansive. coded art furthers the sense of mystery and the unkown. harking back to the past while gazing into the future.

nice price deal !!! much too hot to be cool!

alleviated veteran ben jenkins launches his new vinyl label partial magic with pittsburgh s chase smith. chase turns in four cuts of percolating-hissing drum machines and squirting- gibbering oscillators. the whole quivering ensemble chugs with an electro snap and a steady dance mania clip until the cool- down of silky and sensuous pads on the closing track.

house music with love turn once again to swedish duo swim for a record soaked in a particularly soothing bath of balearic goodness. original track -be there- is certainly laced with an air of scandinavian cool, not least thanks to erika rosen s dreamy vocals, but there s a solid boogie undercarriage carrying the music along. halllo halo step up with a remix that makes a playful, intricate broken beat refrain out of the backing track while maintaining the vocals. ghost immanuel meanwhile whips up a spacious dub that stays close to the original, albeit in instrumental form.

what can you expect? take the best fusion-band ever (chick coreas return to forever), some james brown funk, synth-fun like tangerine dream and even a bit of hardrock, and youre getting close. this is zappa, the flemish zappa: cool,funny, sad, difficult,no record for those who love the traditional verse-chorus-verse, and so probably as uncommercial as it can get

a bona-fide nigerian prince and probably the only musician to have ever played with fela kuti, miles davis and bob marley, eji oyewole combined african highlife with western jazz to create a hybrid so that was as smooth as it was funky. his first album, charity begins at home was an angry tirade against corruption in nigeria. me & you is his ‘relationship’ album, a brighter and happier set of songs that sees eji all loved up, presumably with the mysterious ‘cameleon’ featured on the cover. eji’s flute is no longer a strident voice raised in anger. instead, on ‘me & you’ and ‘i’m a dancer’ it is a playful line of seduction. on the wonky and woozy ‘eniafelamo’ his sax is a post-coital salutation. even the one political track, ‘long live nigeria’, is a loved up call for peace, progress and trust. chilled, assured and dexterious, me & you is a sophisticated showcase of eji oyewole’s chops. ‘this is the beginning of an atomic musical evolution,’ he declares on the cover. ‘brothers and sisters, stay cool.’
(peter moore)

minas num dia azul vinyl lp album us reissue! sound of brazil samba / bossanova. first album of the duo originally released in 1983

esteemed composer piero umiliani released scores of music in his lifetime from the famous to the obscure, but his forays into jazz continue to be a delight for diggers the world over. here galaxy present storia e prehistoria, recorded under his alias rovi and originally released in 1972. its a stirring collection of music that touches on soundtrack themes throughout, capturing the sound of the era impeccably while sporting umilianis inimitable touch in the same breath. the album is full of sumptuous orchestrations of brass, keys, harp and more besides, each piece loaded with romance and cool as could only come from italy.

cool 4 tracker ep with house and techno vibes

chicago dj and producer olin follows up the debut release on his new record label, boundary movement, with tpi featuring four diverse cuts. up-tempo electro, moody minimalism, old-school melodies, and chugging deep house all woven seamlessly. the a side begins with “tpi,” an exercise in minimalism and micro-detail. unmistakably olin’s own, insistent synth stabs keep time while needlepoint percussion keeps the ear guessing. if you thought olin’s palette was limited to techno and house, a2 “corsaren” will prove you wrong — this is pitch-perfect electro in a classic style, a slow-building interplay of sci-fi synthesizers wrapped around icy cool call-and-response kicks and handclaps. b1 “thanks rob” is bom02’s most straightforward cut — and one of its best. building momentum slowly across its eight-minute runtime, “thanks rob” impresses as the larger-than-life bass swell hits. the dancefloor will be rapt – proceed carefully. b2 “hyssop,” feeling like it comes from a similar vintage as “corsaren,” might have been called “ambient techno” decades ago, but its upwardly mobile percussion makes it feel as at home in a club as it does in the chill-out room. it’s just the thing to close out this broad-spectrum record. – chris zaldua

second round for french in any case imprint, still keeping it chopped and dusty, celebrating the sound of the almighty rhodes electric piano through this 5 tracker wax slab. opening this release is the fashionable parisian tell with a cool house cut featuring some lush samples and a driving beat. following is the label co-founder g2s track amako blending a strong backbeat with a groovy bass and chopped rhodes sample closing a side with a neat library style feeling. we ve then got malouane (co-founder too) opening the flip with a trippy tune including melty percussions on top of a jungly bassline. succeeding, manuel nie from germany with a hip hop - house crossover, banging drums cutting through perfect rhodes samples. finally, ibn sabaa is closing the v/a with a mean head-nodding modern hip hop groove that will doubtlessly wreck your neck.

wer die lp beim record store day 2012 verpasst hat, sollte jetzt zuschlagen, denn -live at acton- enthält eines der letzten konzerte von joe strummer. am 15. november 2002 spielte der britische polit-punk-veteran mit den mescaleros ein benefizkonzert in der londoner acton town hall, um streikende feuerwehrmänner zu unterstützen. im publikum saß damals auch ex-clash-kollege mick jones. der ließ es sich nicht nehmen, spontan bei einigen songs mitzuwirken - zum ersten und letzten mal seit 1983. nur einen monat später, am 22. dezember 2012, verstarb strummer überraschend im alter von 50 jahren.

straight outta kampen... it’s that time again! for their second release hamsa intenational hooks up with sylt’z mastermind and brother pjotr. he shows us how to keep the deepness real with his stunning union ep. be enlighted by this divine four tracker, out of the windy dunes from mystic island. stay cool, stay true, stay hamsa intenational!

limited fan edition, celebrating 40 years of boney m. the box includes:
- 12 inch lp “take the heat off me”, the first boney m album from 1976, including the hits “daddy cool” & “sunny”
- 3x cd “diamonds” (40th anniversary edition), featuring all hit-singles, mixes & rarities
- dvd “boney m. in lämmerspiel”, a previously unreleased german documentary
- fan t-shirt “daddy cool”
- stickersheet with cool slogans

the maverick maestro from the bay dave aju is back with his circus family here with an incredible new release. based on stripped-down hardware sessions rocking just a roland tr-909 and sh-101, aju once again proves that no sound set need be limited in itself and along with the addition of one microphone for his inimitable soulful voice, creates one of his strongest and most imaginative releases to date, the 10101 ep. a multiple homage to the 101 freeway that spans his native golden state and the numeric classic analog boxes used vs digital binary to process them, the four rich tracks offer the best of both worlds and cover all the bases of mr ajus musical multiverse. low dive starts things on a deep heads-down dance floor tip where rising synth lines soar over a blast of shuffling drums and percussion for a rocksolid djs delight. always never comes next with pure aju magic, equal parts song and track, an ear worm of a chorus, and full of sunny west coast electro influences all the way through. on the flip sides may very well be one of ajus most intense transmissions ever, with a sublime and seemingly endless build-up of dark pads, driving, shifting rhythms, and voodoo vocals that will detonate many a peak-hour sound system guaranteed. aju then tastefully finishes with the cool psychedelic mid-tempo bump of tell her why which harks back to his hip-hop roots and wraps up the vibe and elements of the whole ep perfectly. welcome back with a bang brother aju!

sit in the creek, cool yourself, then move. sounds to speed across the noite skies or sink into the soil. take the outer path to the inside and hop on the next flight to phobiza.

gatupreto release their sophomore distino di nos vida on tink! music! the duo from lisbon s hinterland return with a second round of their impeccable, futuristic theory on modern club music after the acclaimed modo di trabadja ep, released in 2015. the tropical taste of cabo verde, the cool of that lisbon dance floor fusionism, the appeal of classic vibes. tracks too dark and twisted to be called afro, too sexy and melodic to be called techno, too smart and freaky to be called house and too cool and mature to be called kuduro, it is simply gatupreto. on the a side i became me, deep afro dub with a killer sub bass and endless echoes, starring portuguese soul and hip hop legend nbc as guest vocalist and a remix by afro dutch master and fellow tink! artist philou louzolo who turns i became me into an irresistible deep house with african undertones. on the flip side, the dark dramatic stomping tracks afrowerk and gatu di noti, the first an eerie, irresistible peak time banger, and the later a stormer with sounds from natural africa, harpy acid lines and an off kilter beat.